Still trying to figure out how to get red oak to behave when doing detail carvings. I really like the contrast of walnut and red oak but it does prove difficult to work with, which is why this inlay isn’t perfect:
Depending on which finish you are using to seal it, you could try putting a coat on the oak before machining it. That may provide enough structure and prevent the fuzz and tear out.
Maybe carve your inlay thicker than required, so it sits proud of the walnut. After you set your inlay you can gently bring it down to flush with a sander.
Thanks for the ideas this is a v carve inlay so it already sits above the art plane and it sanded down. I only apply mineral oil as finish so I don’t think I can put another finish on there if I want to keep it natural? Someone else suggested a certain type of sheet/paper to put on to to prevent tear out in another thread.
I just finished cutting an oak piece. I pocked a 3/8" deep round area using 1/4" end mill. I profiled four square areas. I carved some text and a graphic (with a 30* engraving bit 0.050" deep). I cut out those four squares. Not chipping. I slowed it down to 30 to 40. There was some fuzz, but it sanded off instantly.
I guess the point is the points. You have to slow down cutting those thin and narrow areas. Any hardwood is by nature … hard.
Oh interesting! Right now I’m working with a box of random wood, so once I get through that I’ll try to specifically get some white oak! I was thinking cherry could work too?!