The reason I suspected it being a perpendicularity issue is that I ran a setup of 3x and noticed a step on all of them. I decided I’d be more careful on the next, so I specifically watched the first finishing pass on one of the ridges on side 2 of the next block. I estimated the step and shifted my origin by that amount. My observations were that a) the head of the first looked awesome but there was an step/offset on the cylindrical support base portion and b) the subsequent pawns had offset in the heads, despite having corrected this on the first pawn.
If it were a uniform offset, I’d suspect my design or CAM. The top to bottom deviation suggest angle, not pure position, to me. I also think the repeatability might be a problem. I have used my “find the origin hole with a dowel” trick on some of these, but I specifically used super tight, new locating holes in the piece and table, didn’t change the origin, and still had about a 0.1-0.15mm x shift in a set of two yesterday I had to manually correct on side 2 after flipping. Puzzling.
Not sure I quite follow that, are you maching +12 inches away in X or Y?
When you flip, is that rotate the part about it’s short axis and then re-machining the 8mm hole at 0 and +12 inches?
How are you aligning the workpiece with the X / Y axes for machining?
Is the workpiece exactly the same width at each end?
I’ve done similar to check alignment of the X axis (i.e. whether my Y axes are even).
What I ended up doing was squaring as best I could and then having the machine drill a grid of 10mm holes to put alignment pegs in so I could quickly set up work aligned with X or Y.
With the original origin/locating holes shown in gray after flipping… does aligning the B side holes just put A’s holes back on x’ (meant to indicate the machine x axis, with x as the true global x that’s perpendicular to the y rails)?
Edit: I didn’t answer your width question, but hopefully this illustrates that it doesn’t matter. I was only concerned with hole locations after flipping, not anything about part width/dimensions. I’m only boring here.
I guess the name has always brought mixed reaction. Have been using it since '99
There is reason for it, and Thanks much for the consideration, proper politeness is rare these days,…
MC
Mindless
Mike
whichever you chose
Great questions. The hole appears only shifted down and toward the origin after flipping (vs what I’d imagine would be a diameter mismatch or something loose if I saw it on both sides).
This may have all been in vain, as I was doing some back of the envelope calcs and my worst result had ~0.25mm of a ledge between the two halves. If the piece is ~50mm tall, then tan(offset) = 0.25/50; offset = 0.005rad. However, on a ~40in x-beam, that would manifest as tan(0.005)*40in = 0.2in gap on one side. I’m at ~0.012.
So… to your question, I have indeed started wondering if it’s more about my setup. I was using this method to flexibly machine from the top, then flip and find these locating pins between power offs and whatnot. On one run, I watched closely for stepping early on on side to and adjusted my origin manually (0.2mm shift in x). After it was done, I jogged to current origin, put a dowel in, and expected there was no way it would fit in my reference hole… but it did!
So, I think you may be asking the right question. I would never have figured that method should allow 0.2mm slop, but the dowel fit. Even jogging it +/- 0.1mm while in the hole didn’t look that bad at either extreme and I think maybe I’m at the limit of my eye.
I have not been machining the stock other than facing, hoping to rely on these holes. It has occurred to me that I could switch to using a square, and machining two faces so that when I flip I’m locating to a corner against two reference (I’d machine in a pocket for a metal square insert for example).
Anything stand out there? Thanks for taking a look and chiming in! I’ve learned a ton on these pieces with respect to modeling, CAM (really, really tricky not to chip out sharp protruding edges), and trying to get better at multiples via various strategies.
Oh, and the offset never really seems to be in y. That puzzle me. If it was just slop in these pins or in my method of finding the origin, I’d expect equal probability that I’m off in my eyeballing in either axis, or that the slop would be uniformly distributed? Or maybe since the holes are in the x direction, it can only shift in x or rotate, but y is held close enough that I never see a step in that axis?
If I am doing a pinned 2 sided operation my method is:
Use stainless pins. DoweI pins crush the sides if they are ribbed.
The harder the material the more taper you get when cutting the holes. I have had excessive taper on my pin holes in metal. The method is on the top side carve, to make sure you have pins that are long enough to go through the bottom of your stock, get the exact fit on the bottom, and ignore the top taper, when you flip the top will be snug.
Use 4 or more pins for accurate placement and compensation for poor fit. 4 slightly loose pins will locate better then 2. If your pins holes are loose, wrap pieces of paper evenly around the pin to give even spacing. Tape seems too sticky when rubbing.
I recently ordered 1/2" stainless dowel pins to replace my 1/4 ones. Bigger holes should mean less taper.
Make sure you flip and carve using the same homing. if you re-probe for the second side it will never be right. Cut the first side, use the same homing to cut the pin holes and carve the bottom.
Do a series of test holes to find out what size hole in the editor fits the pin exactly perfect. This can be very time consuming.
Be sure to not lose accuracy, don’t jam up the machine/block it, push on the router too hard when tightening a bit or make any mistakes it will ruin your location tracking.
An ideal pinned flip has no play between pin and hole. Should be a very snug fit.
Pins can be very frustrating, on one carve my 1/4 holes were .26715 for a perfect fit, then next carve .25592. No reasoning for the different sizes except a different homing. All I can do is re test hole sizes every time.
Some of my upcoming designs will include 3d printed jigs.
And sadly enough last night while tramming my Z I left the tool in the Y position and raised the tool into the bottom bearing plate on my HDZ tweeking the shaft slightly. I will contact SST to see if I can send it in to get a new shaft pressed in. If not I just paper weighted a costly tool.
I looked on their site and it’s only a $10.00 difference between the 1/2" vs 1/4" so who ever the vendor is on your side of the pond is a greedy bastard.
Awesome info. I did move to much tighter fits since the 4mm pins and am getting better results. They were pretty short (9mm) and I wonder if I was just getting too much play. For sizing my 0.25in pins I’ve been creeping up as well. Wow, 0.26715?? That’s a monster difference. I find depending on the material (MDF seems different than hardwood), 0.251-0.253 is pretty good, and I can get a free increase without re-exporting g-code by just running a second pass sometimes. I have to tap the piece down on the dowels and it’s pretty hard to get off when done, so I think the fit is good.
I recently got some pull-out dowels which are awesome. By threading in a #8 screw, I can put a block on the table and pry up with some pliers under the head of the screw and pop it out.
Do you think I’m dreaming that I should be able to re-locate after side 1 with any method? I hear you on better safe-than-sorry practices, but it seems like it should be possible to get pretty good results after flipping? For a practical obstacle, I don’t like to take the pins in and out as I think that mucks up the holes over time, and so it is convenient to run side 1 elsewhere (it has no holes), then use the locating holes to get it into my fixture area for side 2. Plus, I’m swiss cheesing my wasteboard every time I power off/power on if I can’t trust repeatability.
That said, I’m thinking of moving to a fence with machined indexing features (say, a triangle poking out ever 50mm). Now for locating I’d be locating against two edges, and know my x-offset of the triangles based on how I cut them. When I’m cutting side 1, I cut the negative of this triangle feature, and the bottom edge to a depth of more than my “fence”. Now I’m using a face as a reference, which should help with angular offset, and the locating just puts it in the correct x location. Thoughts?
Fence (screw down, say, 1/2 or 5/8 plywood, then machine in place)
I like that design for an indexable fence. If you look at some of the designs that Saunders Machine Works and others have for work surfaces, they set it up so you can use dowels in holes to create a fence wherever you want and then use cam-locking hardware to brace it against the dowels. It’s a more flexible system because them you don’t need to set up a locating feature in the part.
I’ll take a look. I have a dowel fence of sorts, and my one objection (unless I’m misunderstanding) is that I then have to get all precise with my stock. I like only having to face, or in the design above, replacing bored holes with a simple face of one edge + some kind of feature vs. what I imagine as contouring around my whole part because, for example, the top origin is bottom left but when I flip it’s bottom right, and thus I need to be exact about the width and not just some key feature.
Anyway, I’ll check them out for sure and thanks for the suggestion!
if left to right shows an increase in letter depth, it’s not a tramming issue, it’s a surfacing issue. Tramming will leave artefacts the size of the stepover, but has no “long range” effect. You can almost never be sure that the surface of any given stock is actually flat AND has its top side parallel to its bottom side, so especially for very depth-sensitive ops like vcarving, running an initial surfacing pass goes a long way to eliminate those differences in depth. Without changing anything else, you could try that and see what happens ?
MDF is…how do I put this…not a good material for carving small features. I think of it as pieces of dust held together by glue, with lots of air in-between, waiting for any excuse to crumble. Ok, maybe I have a thing against MDF but if you are going to assess v-carving quality on small lettering, I suggest using actual (tight-grain) wood, or something that can hold very fine detail like Renshape ?
yes, those ridges in your first pics result from sub-optimal tramming of the router (and possibly of not-quite-perfect surfacing, as the ridges seem to vary in thickness from left to right ?)
tramming the router and surfacing the wasteboard go hand in hand, and it can be tricky to get perfect.
my latest message however was indeed about surfacing the top of the workpiece itself, to prevent depth variation in vcarving cuts. Even with a perfectly surfaced wasteboard, your stock material top surface will never be completely flat and parallel to the wasteboard surface. So whenever you can (i.e. if the projects allows), run a surfacing pass on your stock, then zero off the top of that freshly surfaced stock, and then run your vcarve job.
It is an adjust and recheck, adjust a different area and go back to the first thing and adjust again…if that makes sense.
for instance, which came first? the chicken or the egg?..
New Shapeoko. You need a spoilboard, but cant really mill one because the spindle is not square to the table, but you need a level spoilboard to find that the spindle is not square/trammed.
so… assemble as per instructions and start on milling the spoilboard. Now you need to first attempt square the spindle. Now you re-mill the spoilboard, hoping for an improvement to become obvious. Re-tram the spindle and things are getting close. Possibly, re-mill the surface again and look for improvement. Rinse, lather and repeat until you get the result you are happy with.
From the pics you provided, it looks like the surface of the material you milled is uneven and the spindle needs trammed.
One of the things I have learned with this machine, If you want a nice even appearing project, Mill the surface of the material first…just about always.
but if you are going to assess v-carving quality on small lettering, I suggest using actual (tight-grain) wood, or something that can hold very fine detail like Renshape ?