I would like to engrave simple label tags for machinery switches. I am not having any luck creating a usable workflow for this process. Because CC does not handle single-line fonts, I have not been able to come up with a tidy toolpath for engraving 1/4" tall letters in 1/16" two-tone HDPE. See this thread from 2020 Can a Shapeoko do this?
Is there a settled best practice for this process?
I would try a vcarve with a 60 degree v bit and not worry about a single line font. With text only 1/4 inch tall, depth of all but wide/bold fonts should be within the 1/16 inch thickness of the material. The completed tag in two tone HDPE may or may not look acceptable with a vcarve but I would definitely try.
What does this mean??
“single line fonts” is an oxymoron. It’s either single line, or a font. And CC can handle either one, you just need to know how to set up the toolpath.
1/4" letters are going to need a 1/16" or smaller (1mm) tool. (CNC Plastic Cutting Bit Amana Tool 51415-K Up-Cut Spiral O Flute) ??
or use a V-bit, but you have to be precise about depth to get the width of letters you want. You could end up going through 1/16" tag. And I don’t think it looks as nice.
For plastic you want the RPM (relatively) slow. Which could be 12000 - 15000 for a 1/16" tool.
And you’ll want the feedrate cranked up, 100 ipm or more. So you have to figure out depth of cut for those settings. How thick is the top layer of plastic you have to get through.
I might try 0.010" DOC to start.
I would try single lines, or a very skinny font, there are several places that will generate svg text in single lines.
And use a contour with no offset path.
Actually, there are two ways to represent letterforms:
draw the outline (as is done/required for OpenType and TrueType fonts)
draw the ductus/stroke and apply a shape to that which then creates a letter — this was common in plotter fonts, and was also done for the first version of Courier (which when it was converted to an outline font was the cause of it being so spindly, since a small square was used) and was also possible to do in PostScript “Type 3” fonts (since they allowed one to use the entirety of the PostScript language), or of course, Donald Knuth’s METAFONT. Windows still ships w/ the “Modern” and “Roman” plotter fonts (which are not supported by Carbide Create)
which I hope to program as a METAFONT and use as a test bed for finally making the font design program/tool/system which I need to finish my version of Warren Chappell’s Trajanus and Eichenauer fonts.
Thank you for the reply. I have seen your post around while trying to figure this out, but I still don’t comprehend it. What does drawing “geometry at the narrowest point” do for this process? Do I need to do this for every set of text? I have many labels to make, and the font isn’t all the same size.
@HeuristicBishop The Warren Chappell font project has been on-going for a very long while, and as noted, is currently stalled on my having drawn outlines for all the characters which I have metal type examples of, but only having compleat size exemplars for N and n — and there not being a font editor which I like, so the current plan is to create a new one like to the METAFONT editor used in the Euler project at Stanford (and my life comes full circle since I missed that for want of a calculus class in high school).
Wow, Will, that will be the perfect font for embedding text into FDM parts–constant stroke width and full-radius ends so it is easily strokable. The closest I’ve come so far with what we have available at work is Arial Rounded MT Bold, which is close but not perfect. The lettering comes out readable but inconsistent at the sizes I’m needing to use–.18-.22" letter height.
That is exactly why I’ve been developing it — one aspect I want to take into consideration is rounding angles so that it is possible to fill in around the letterforms with extruded material — the total inverse of ink and light traps.
I’ve been trying to, but it never resolves a cut plan. Just “Empty Toolpath”. My max depth is greater than my depth per pass, and my material thickness is greater than my max depth. I’ll keep playing with it.
This is representative of what I will need to make. There are more than a dozen of these sets. I created the file in Lightburn for my laser engraver, exported it to .SVG, and imported it to CC. The laser works fine, but the fumes are terrible, which is why I would like to switch to the CNC. Thank you for your assistance with this.
seems to have filled in everywhere except the more delicate/narrow regions at the ends of the parentheses and in the serifs/strokes of the afore-mentioned W.
and then create the tool (this step will not be shown, you will need to work up your own settings for 0.02" diameter tooling and feeds and speeds suited to your material — hopefully John Torrez will chime in, or one of the other folks who does micro-machining) and assign a No Offset Contour toolpath, assigning by Layer: